) - Russian and Soviet artist.
| Vasily Semyonovich Svarog | |
|---|---|
| |
|
| Name at birth | Vasily Semyonovich Korochkin |
| Date of Birth | March 5 (17)(1883-03-17 ) |
| Place of Birth | Staraya Russa, Novgorod Governorate |
| Date of death | 31th of December(1946-12-31 ) (63 years old) |
| A place of death | Moscow |
| Genre | portrait, landscape |
| Studies | CUTR Stieglitz, St. Petersburg |
| Style | realism |
| Awards | |
| Media files at Wikimedia Commons | |
Biography
Vasily Semyonovich Korochkin was born on March 5 (15) in the city of Staraya Russa, Novgorod province (now Novgorod region) in the family of a peasant Semyon and a laundress Olga Vasilievna Korochkin. Vasily had two sisters: Anna (later a village teacher) and Nadezhda (later a seamstress). At the age of two, he lost his father, his mother was engaged in raising children.
The desire for drawing was observed in Vasily Semyonovich from an early age. Noticing him, the drawing teacher of the old Russian city school, Chistyakov, collected money from the residents of the city by subscription so that a talented child could continue his art education after graduating from college.
- Since 1900, Svarog has been collaborating with the St. Petersburg illustrated magazines Picturesque Review, Magic Lantern, and The Sun of Russia.
- In 1911, V. S. Svarog was awarded the first prize at a competition organized by the editors of the magazine "The Sun of Russia" for a series of drawings for Leo Tolstoy's work "The Living Corpse".
- In 1915, V. S. Svarog met Yuri Repin and painted his portrait, which delighted his father, the famous artist Ilya Repin. This work allows Svarog to get close to the master, to attend his portrait sessions.
- In 1916, on the recommendation of Repin, he joined the Association of Wanderers and exhibited his works at traveling exhibitions.
- In 1916, Svarog wrote "Portrait of a Mother" (oil on canvas). The painting was awarded the first prize at the spring traveling exhibition.
- In 1918, Svarog takes an active part in decorating Petrograd for the celebration of the first anniversary of the October Revolution. The artist himself said that he "worked especially intensively, since great events demanded great exertion from everyone." At this time, he creates portraits of Karl Marx, Friedrich Engels, V. I. Lenin, M. S. Uritsky, V. V. Volodarsky.
- From 1922, due to a serious illness of his mother, Svarog spends in Staraya Russa. Here he organizes the People's House, creates an art studio, amateur choral and orchestral circles, an amateur opera house, where Dargomyzhsky's Mermaid, Rachmaninov's Aleko, Gounod's Faust, etc. were staged. During this period, Svarog creates many paintings dedicated to the city and its inhabitants - "Portrait of Vasya Ushakov", "Children" (exhibited in the Tretyakov Gallery), "Portrait of Valentina Kazarina", "Rogachevka" and others.
- In 1923 he joined the Association of Artists of Revolutionary Russia.
- In 1925, V. S. Svarog received a silver medal at the World Exhibition in Paris for the album "January 9", for which he completed 11 large drawings.
- After the Great October Revolution, the work of Svarog acquires a bright political orientation. The artist himself calls his genre "political composition". Some paintings were made on the basis of personal impressions, others on the basis of newspaper reports:
- Being fond of music, V. Svarog created a number of works united by this theme:
- Svarog also painted portraits of the leaders of the party and government - V. I. Lenin, I. V. Stalin, K. E. Voroshilov, V. V. Kuibyshev.
- In 1940, the Political Directorate of the Moscow Military District united professional military artists into the M. B. Grekov Studio of Military Artists on the basis of the Art Workshops of Amateur Red Army Art. The studio was given the tasks of cultural and political education of soldiers, displaying the heroic combat path of the army. V. Svarog was appointed the head, who created a number of paintings on military topics:
- Since 1941 - in evacuation. First in Nalchik, then in Tbilisi. On May 25, 1942, an exhibition of paintings was held in Tbilisi. The newspaper Zarya Vostoka wrote:
Creative reports of artists. Monday, May 25th at 12 noon. On the same day, the winner of the Stalin Prize, Honored Art Worker I.E. Grabar and artist V.S. Svarog will give creative reports at the Art Gallery of Artists of Georgia. On this day, an exhibition of their paintings made in Tbilisi and Nalchik in 1941 and 1942 will open in the gallery.
- In 1942, Svarog completed his last painting - the multi-figure composition "Stepan Razin".
- In October 1942, returning from evacuation to Moscow, at the Samarkand railway station, crossing the tracks with suitcases, V. Svarog stumbled and hit his left temple on the rail. On October 10, in a serious condition, he was taken to Moscow. V. Svarog recovered, but could no longer return to painting.
In 1948, through the efforts of the artist's friends and his wife Larisa Semyonovna Svarog, a posthumous exhibition of his works was held. It featured paintings, portraits, sketches from expositions
Vasily Semyonovich Korochkin was born into the family of a peasant Semyon and a laundress Olga Vasilievna Korochkin, in which, besides him, there were two more sisters Anna (later a village teacher) and Nadezhda (later a seamstress). At the age of two, he lost his father, his mother was engaged in raising children.
The desire for drawing was observed in Vasily Semyonovich from an early age. Noticing him, the drawing teacher of the old Russian city school, Chistyakov, collected money from the residents of the city by subscription so that a talented child could continue his art education after graduating from college.
In 1896, at the age of thirteen, Vasily Semyonovich entered the Stieglitz St. Petersburg Art School of Technical Drawing and successfully completed it four years later. It was during the training that the pseudonym of the artist appeared - “Svarog”.
- Since 1900, Svarog has been collaborating with the St. Petersburg illustrated magazines Picturesque Review, Magic Lantern, and The Sun of Russia.
- In 1911, V. S. Svarog was awarded the first prize at a competition organized by the editors of the magazine "The Sun of Russia" for a series of drawings for Leo Tolstoy's work "The Living Corpse".
- In 1915, V. S. Svarog met Yuri Repin and painted his portrait, which delighted his father, the famous artist Ilya Repin. This work allows Svarog to get close to the master, to attend his portrait sessions.
- In 1916, on the recommendation of Repin, he joined the Association of Wanderers and exhibited his works at traveling exhibitions.
- In 1916, Svarog wrote "Portrait of a Mother" (oil on canvas). The painting was awarded the first prize at the spring traveling exhibition.
- In 1918, Svarog took an active part in decorating Petrograd for the celebration of the first anniversary of the October Revolution. The artist himself said that he "worked especially intensively, since great events demanded great exertion from everyone." At this time, he creates portraits of Karl Marx, Friedrich Engels, V. I. Lenin, M. S. Uritsky, V. V. Volodarsky.
- From 1919 to 1922, due to a serious illness of his mother, Svarog spends in Staraya Russa. Here he organizes the People's House, creates amateur choral and orchestral circles, an art studio. During this period, Svarog created many paintings dedicated to the city and its inhabitants - “Portrait of Vasya Ushakov”, “Children” (exhibited at the Tretyakov Gallery), “Portrait of Valentina Kazarina”, “Rogachevka” and others.
- In 1923 he joined the Association of Artists of Revolutionary Russia.
- In 1925, V. S. Svarog received a silver medal at the World Exhibition in Paris for the album "January 9", for which he completed 11 large drawings.
- After the Great October Revolution, the work of Svarog acquires a bright political orientation. The artist himself calls his genre "political composition". Some paintings were made on the basis of personal impressions, others on the basis of newspaper reports:
- Being fond of music, V. Svarog created a number of works united by this theme:
- Svarog also painted portraits of the leaders of the party and government - V. I. Lenin, I. V. Stalin, K. E. Voroshilov, V. V. Kuibyshev.
- In 1940, the Political Directorate of the Moscow Military District united professional military artists into the M. B. Grekov Studio of Military Artists on the basis of the Art Workshops of Amateur Red Army Art. The studio was given the tasks of cultural and political education of soldiers, displaying the heroic combat path of the army. V. Svarog was appointed the head, who created a number of paintings on military topics:
Svetlana Luchkina
Double drawings - double standards ...
Does an artist have the ability to evaluate and analyze what he sees more accurately and more accurately than a simple layman?.. Has the Master been given the ability to grasp characteristic features and details with a professional eye?.. Most likely, you will answer in the affirmative. After all, it is the visually obtained image that is transformed on paper into a work of art. And sometimes in ... irrefutable proof.
Russian artist Vasily Semenovich Kurochkin, better known under the pseudonym "Svarog" (- the name of the god of heaven and heavenly fire in Slavic-Russian mythology), like any accomplished master, knew the price of his powers of observation and fidelity of lines. Svarog had a chance to live at a time when not only his professional reputation and public recognition, but life itself depended on the accuracy of the lines and the general vision of the master. After graduating from college, in the 1900s. Svarog worked a lot in the genre of landscape and portrait. However, his most famous works of the pre-revolutionary period are associated with posters and satirical magazine graphics published in such St. Petersburg publications as Picturesque Review, Machine Gun, Spectator, Niva, Sun of Russia. In the satirical drawings and caricatures of a still quite young man, one could feel the hand of a shrewd master of psychological portraiture. The first recognition was a prize at a competition organized by the editors of the magazine "The Sun of Russia" for a series of illustrations for the novel "The Living Corpse" by Leo Tolstoy. In the 1920s and 1930s, Svarog published numerous drawings in the largest press organs: Leningradskaya Pravda, Krasnaya Gazeta, then in Pravda, Izvestia, Komsomolskaya Pravda and other publications. The dry facts of the official biography quite eloquently speak of the brilliant career of Vasily Semenovich Svarog as an artist ideologically consonant with revolutionary Russia. He performs portraits of V. I. Lenin, I. V. Stalin, their closest associates. Here are some of the titles of his works: “Red Guards with machine guns at Smolny” (1918), “Volkhovstroy” (1924), “Leningrad” (1925), “K. E. Voroshilov and A. M. Gorky in the shooting gallery of the Central House of Arts” (1933), “Meeting of the Chelyuskinites at the Belorussky Station” (1934), “Chapaev in Battle” (1936), “Voroshilov in a kayak” (1940), “I. V. Stalin and children” (1937), “I. V. Stalin and members of the Politburo among children in the TsPKiO im. M. Gorky "(1939)," Headquarters of October "(1940). "Stepan Razin" (1941), etc.
JV Stalin and members of the Politburo of the Central Committee of the All-Union Communist Party of Bolsheviks among children in the Gorky Central Park of Culture and Leisure in Moscow. 1939
However, possessing a true talent, Svarog, like many other masters of that time, who could now be called "engaged", created with inspiration in officially discouraged genres ...
To demonstrate the artist's professional vigilance, we have chosen a work that can hardly be called the most popular of his paintings from the point of view of academic art... It is difficult to describe in an aesthetically restrained language what exactly we see in front of us and what range of feelings we should experience. And yet look!
What, then, should we consider the sketch from Angleterre?.. A fact? Proof? Documentary evidence? It is difficult to dismiss some of the details of the drawing, which there is no reason to interpret as the violent fantasy of the author. We are talking about crossed legs, which could hardly be in a similar position with a body just taken out of the loop; about torn, disheveled clothes that bear traces of a brutal struggle ... An unequivocal understanding that the drawing does not fit well with the official version of the death of Sergei Yesenin appeared immediately. And not only among those who guessed about the murder, but also among those who knew the true state of things. And as a result of the "official version of the death of the poet" appeared "the official version of the drawing of Svarog." It was this “smoothed”, “buttoned” version that many readers and admirers of Yesenin’s work knew up to a certain point. Here she is:
Under the drawing, there is a signature in French: “Sergey Yesenin. First sketch made after his death.
The significance of Svarog's drawings can hardly be overestimated, because these are unique documents showing the state of the body of Sergei Yesenin immediately after its discovery. It was Svarog who reflected how the poet looked before replicated photographs, photo artist Moses Nappelbaum. In the pictures of the "king of retouching", Yesenin's clothes have already been put in order, the blood has been washed away, the body has been transferred to the couch, etc.
Unfortunately, for the official investigation, the artist's drawings are just the artist's drawings. They cannot be considered carriers of information suitable for inquiry or investigative conclusions. The "official version" did everything to make the living, screaming, creepy sketches of Vasily Svarog become silent, impersonal evidence of the presence of a certain draftsman in a certain issue. And the "official version" would have a brilliant chance to explain all these stains on the temples, torn sleeves, unbuttoned trousers, crossed legs with just ... fiction. Graphic metaphor. The emotional perception of reality by an impressionable person "from art." There would have been a brilliant chance if Vasily Semenovich had not explained everything himself!
He told his friend, journalist I. S. Kheisin, his impressions of that morning, his conclusions about what exactly he saw in the Angleterre issue:
“It seems to me that this Erlich slipped him something at night, well ... maybe not poison, but a strong sleeping pill. No wonder he "forgot" his briefcase in Yesenin's room. And he didn’t go home to “sleep” - with Yesenin’s note in his pocket. It was not in vain that he was spinning nearby all the time, probably, their whole company was sitting and biding their time in neighboring rooms. The situation was nervous, a congress was going on in Moscow, people in leather jackets were walking in the Angleterre all night. Yesenin was in a hurry to remove, so everything was so awkward, and there were many traces. The frightened janitor, who was carrying firewood and did not enter the room, heard what was happening, rushed to call the commandant Nazarov ... And where is this janitor now? At first there was a "noose" - Yesenin tried to loosen it with his right hand, so the hand stiffened in a cramp. The head was on the armrest of the sofa when Yesenin was hit above the bridge of the nose with the handle of a revolver. Then they rolled him up in a carpet and wanted to lower him off the balcony, a car was waiting around the corner. It was easier to steal. But the balcony door did not open wide enough, leaving the corpse by the balcony, in the cold. They drank, smoked, all this dirt remained ... Why do I think that they rolled it into a carpet? When I was drawing, I noticed a lot of tiny specks on my trousers and a few in my hair... they tried to straighten their arms and slashed the tendon of their right hand with a Gillette razor, these cuts were visible... They took off their jacket, wrinkled and cut, put valuables in their pockets and then they took everything away ... They were in a hurry ... They “hung up” in a hurry, already late at night, and it was not easy on a vertical riser. When they fled, Erlich stayed to check something and prepare for the version of suicide ... He also put this poem on the table, in a conspicuous place: "Goodbye, my friend, goodbye" ... A very strange poem ..."(Published in the newspaper "Evening Leningrad", December 28, 1990).
After this story, I would like to cite only one quote from the art historian I. E. Grabar. A quote that quite exhaustively answers our question asked at the beginning of the article about the adequacy of the artist's perception of what he saw.
“Svarog is characterized by “a special exceptional love for today, vigilance for its phenomena, facts, people. Throughout his life, he did not miss a single significant event, responding to it immediately, with lightning speed with his paintings.
He responded to the poet's death. Do you believe his response?
Magazine "N.L.O. Incredible. Legendary. Obvious”, March, 2010
The path of Vasily Semenovich Svarog in art is so unusual that we are obliged to give the floor to the artist himself: "I was born in the city of Staraya Russa. My parents are peasants ... I was a year and a half when my father died, and my mother, with the hard work of a laundress, raised three children to her feet, having managed to give them the necessary education ... Back in the city school they paid attention to my ability to draw, and after graduation, the teacher Chistyakov collected one hundred rubles from the local intelligentsia and sent me to St. Petersburg, where, having successfully passed the exam, I entered the Stieglitz Art School. The knowledge and skills acquired at the Stieglitz school turned out to be so solid that after graduation (1900) the artist began independent creative work. Genre compositions with fragments of peasant life and village life, drawings for numerous magazines at that time, portraits of acquaintances and to order - the artist's intense, often forced work in the 1900-1910s. He gets first place for a series of drawings for "The Living Corpse" by L.N. Tolstoy and for participation in the poster competition of the Niva magazine, participates in numerous exhibitions of those years.
In Soviet times, V.S. Svarog is also at work. From 1919 to 1922 he worked in Staraya Russa as an artist and singer in the opera house, which he also organized. There he paints many paintings and helps to create an art museum. This is followed by a historical-revolutionary series of paintings, portraits of the leaders and heroes of that time. In 1939 V.S. Svarog paints a large canvas "Members of the Politburo among children in the Park of Culture" for an exhibition in New York. The artist responds with his canvases to the anniversaries of A.S. Pushkin and P.I. Tchaikovsky. Finally, he teaches at the Studio of Military Artists named after M.B. Grekov, and therefore among his paintings the heroic theme of the Red Army is widely represented. Creativity V.S. Svarog fully corresponded to the dictates of a new life and the enthusiasm of the country
The artist's works are in the collection of the State Tretyakov Gallery.
); E. Capital. The river darkened (No. 39, p.); K. Makovsky. Head (No. 40, p.); K. Gorbatov. Fish Market on the Pskov River (No. 40, p.); S. Ivanov. "German!" (No. 49, p.); I. Brovar. Forest in winter dress. Fish Northern Plant (No. 49, p.); S. Devyatkin. In the tram (No. 50, p.) // Niva. SPb., A.F. Marx, 1912
V.M. Arnold. All those who mourn joy ( region .); K.A. Veshchilov. Christmas meeting. - Former sweetheart. - (XVII century) (p.); V. Svarog. ill. to the story of A.N. Budischeva "Riot of Angels" (p.,); N.S. Samokish. December 25, 1812 in St. Petersburg. Reading in the presence of Alexander I of the Highest order to the troops on the expulsion of the enemy from Russia (p.5); P.M. Shkarin. Drawing (p.7); IN AND. Zarubin. Christmas in the monastery (p.9); S. Zhivotovsky. Drawing (p.10); A.V. Makovsky. On holidays (p.11); E. Samokish-Sudkovskaya. ill. to the short story by T.L. Schepkin-Kupernik "The Legend of the Precious Gift" (p.); Miss. ill. to the story of A.M. Ossendovsky "The Secret of the Old Theater House" (p.,); St.F. Kolesnikov. On Christmas night (p.15); Advertising of the insurance company "Russian Loyd" (St. Petersburg, Admiralteyskaya nab., own house, No. 8) (p.) // Ogonyok. Issue 52. SPB., S.M. Propper, December 25, 1912 (January 7, 1913)
Illustrated catalog of the 20th exhibition in Moscow, in the halls of the Imperial Historical Museum. SPb. St. Petersburg Society of Artists. 1912
S.F. Kolesnikov. Home early in the morning! (With.); A.V. Makovsky. “The godfather grabbed, he calls the goddaughter, and she is already dead ...” (p.5); V. Svarog. ill. to the story of I.I. Yasinsky "The Dream of Gold" (p.,); A.B. Lakhovsky. Easter procession on the "Passion Way" in Jerusalem (p.10); A. Martynov. ill. to the story of A.N. Budishcheva "She" (p.,); A. Skryagin. Easter night on the deck of a military ship (p.16) // Ogonyok. Issue 13. SPB., S.M. Propper, March 25 (April 7), 1912
Argus. Issue 9. St. Petersburg; Spb., Gogol street, 4. Phone: editorial offices - 495-52, offices - 615-62, 615-63; 1913 (Province, content ) (Illustr.: I. Grandi, V. Svarog, S. Bolshakov, V. Belkin, A. Radakov)
Vlad. Arnold. Nativity (region); E.P. Samokish-Sudkovskaya. thirty pieces of silver (p.1); V. Svarog. ill. to the story of Al. Budishchev "Delirium of mirrors" (p.,); A.V. Makovsky. Death penalty under Ivan the Terrible; A.F. Afanasiev. Frightened! (With.); Yu.Yu. Clover. Road fears; N.K. Kolmakov. Demons of fire (p.); Miss. earthly love (p.6); S. Lodygin. ill. to A. Kondratiev's story "Eros in a trap" (p.7); O. Clover. old portraits (p.8); S.F. Kolesnikov. Samum in Turkestan; N.S. Samokish. On the battlefield (p.); AND I. Bilibin. The Red Maiden and the Serpent Gorynych (p.11); Y. Clover-son. At the bottom of the ocean (p.12); IN AND. Zarubin. Night terrors (p.13); K.A. Veshchilov. Dreamed! (p.14); F.I. Chaliapin. Revival of The Maid of Pskov at the Imperial Mariinsky Theater (p.17) // Ogonyok. Issue 51. St. Petersburg; Main Office and Editorial. St. Petersburg, Galernaya, 40; Printing house S.M. Propper. Spb., Galernaya st., with. d. No. 40; 5 kop. in St. Petersburg. and provinces; December 22, 1913 (January 4, 1914)
Catalog of the exhibition of paintings, sketches and sketches in Petrograd. Mal. Konyushennaya st. No. 3, d. Swedish Church. [Pg.] Petrograd Society of Artists. 1914
Svarog, V.S. (Petrograd, B. Monetnaya, 13/9, apt. 27, tel. 429 - 98). No. 340. November. No. 341. Swamp. No. 342 Cutting. No. 343. Near Odessa. No. 344. Black Sea. No. 345. In the attic. No. 346. Etude // Supplement to the catalog of the Non-Party Society of Artists. III [exhibition]. 1914 - 1915. Petrograd. . C.6
A. Chimkentsky. Broken strings. [Poetry]. Pg.; Rubicon. Petrograd, Troitskaya, 36, apt. 11. Tel. 569-03; Type. Acc. Tot. Type. Affairs in Petrograd. Change p., 7th company, 26; 80 k., 1915 ( Region .: V. Svarog; titus .)
Argus. Issue 10. Pg., 50 kopecks, 1915 ( Region ., content ) (Illustr.: P. Buchkin, V. Svarog, L.K., I. Mozalevsky, S. Lodygin, P. Mazing, V. Lebedev)
V.M. and drawings of the First Salon of Humorists. Petrograd. Type. T-va "Ekatering. Pech. Delo”, Ekatering., 7. 1915. P.27. ([The catalog is dedicated to] ... the union "Artist-Soldat", which brings such energetic help to the wounded: before the infirmary [- on the battlefield - by its own medical train] and after the infirmary [- by issuing benefits to those leaving the infirmary]. S.5
V.S. Svarog. Reconnaissance meeting (Region) // Ogonyok. Issue 45. Pg.; 7 kop. in Petrograd and the provinces; November 8 (21), 1915
I.V. Lebedev (Uncle Vanya). Modern day gladiators. [Stories]. Drawings by artists S. Kolesnikov, S. Lebedev, I. Militsyn, A. Renault, V. Svarog and M. Stolyarov. Pg.; Rubicon. Petrograd, Troitskaya, 36, apt. 11. Tel. 569-03, 257-64; Type. Acc. Tot. Type. Affairs in Petrograd. 7th company, 26; 1 p. 25 k., 1915 (V. Svarog ( region .); titus .; S.F. Kolesnikov. ill. to the stories "The Old Athlete" (p.,), "Revenge" (p.,,); S.P. Lebedev. ill. to the stories "Killer" (p.), "Negro" (p.), "Lady from the box" (p.), "Benefit performance" (p.,,); M. Stolyarov. ill. to the stories "Tinsel" (p.,,); A. Renault. ill. to the story "Terrible Savoyard" (p.,); I. Militsyn. ill. to the story "The Beast from the Abyss" (p.,))
M. Avilov. Guards (No. 7, p.). From the active army (drawings) (No. 11, p.); M. Ivanov. “Waiting for an answer” (No. 9, p.); A. Maksimov. Nevsky Prospekt in St. Petersburg (XVIII century) (No. 9, p.); A. Sezko. Knight of St. George in the village (No. 9, p.); V. Mazurovsky. Germans in Poland (No. 9, p.); I. Vladimirov. Cossacks over the Vistula (No. 10, p.). To the homeland (p.). Intelligence (No. 13, p.). The Harvest of Death (#21, p.). Battle with a land battleship (No. 22, p.). Both are wounded (#46, p.); V. Dobzhansky. Cavalry charge (No. 11, p.); G. Popov. Resurrection of Christ (No. 12, p.); S. Kolesnikov. At Easter in Galicia (No. 12, p.). Distribution of Easter gifts in the army (No. 13, p.). Quartermaster. Kurdish volunteer (Turkish army) (No. 21, p.). Siberians on reconnaissance (No. 50, p.); A. Novoskoltsev. Sergius of Radonezh blesses Dmitry Donskoy to fight with Mamai (No. 21, p.). The last minutes of Metropolitan Philip (No. 50, p.); G. Lukomsky. City of Casimir, Lublin province. Bishops' House on Senatorskaya Street; City of Polotsk. Cathedral bell tower (No. 26, p.); Z. Marina. War (No. 27, p.); EAT. Cheptsov. Listening to news from the war (types of the Kursk province) (No. 30, p.); HER. Lancer. Exhibition of drawings and sketches from the Caucasian front (No. 31, p.; No. 36, p., , , , ; No. 44, p.); P.A. Selivanov. From position (No. 33, p.); G. Stark. Fighting comrades (No. 47, p.); V. Novodvorsky. Before the onset of the enemy (No. 45, p.); V.E. Makovsky. The Germans withdrew (No. 46, p.); V. Svarog. Letter to the trenches (No. 48, p.); P. Buchkin. ill. to the story of I. Ostrovnoy "Gift" (No. 51, p., , , , ); P. Pershin. B. Christmas night. On the Caucasian front. A snowstorm in the Chorokhi gorge (No. 51, p.); S. Lodygin. ill. to the story of A.A. Dunin "Punishment" (No. 52, p.,,,) // Niva. Pg., A.F. Marx, 1915
N. Samokish. On the fly (region); V. Svarog. ill. the story of A.I. Kuprin "The Inexplicable" (p.,); E.P. Samokish-Sudkovskaya. ill. to verse.T.L. Shchepkina-Kupernik "Mother" (p.); M. Roshkovsky. ill. to the story of V. Voinov "Scaevola" (p.); S.V. Zhivotovsky. ill. to Teffi's story "At Christmas" (p.); S.P. Lodygin. ill. to the verse. G. Ivanov "Magi" (p.); I. Myasoedov. ill. (With.); V. Denis. ill. to the verse. N. Agnivtseva "The Devil and the Dentist" (p.) // Ogonyok. Issue 52. Pg.; Editorial: Petrograd, Admiralteisky Canal, No. 17, sob. d.; Printing house S.M. Propper. Petrograd, Galernaya st. D., No. 40; 8 kop. in Petrograd and in the provinces, at railway stations. dor. 10 kopecks; December 27, 1915 (January 9, 1916)
Svarog // Annibal L. (compiler). Catalog of the exhibition of illustrated publications. [Pg]. 1915. Nos. 77 - 112, 218, 219
V. Svarog. Regimental favorite ( region .); O. Amosova. ill. to the story of M.K. Pervukhin "Scarlet Blood" (p.,); Exhibition of the Wanderers in Petrograd (p., . Ill.: 1. V.E. Makovsky. Latest news from the war. 2. V.E. Makovsky. Restaurant. 3. N.P. Bogdanov-Belsky. At the ferry. 4. V. I. Zarubin, The Last Clouds, 5. A. V. Makovsky, On the Raid, 6. N. K. Bodarevsky, Artist of the Imperial Theaters, L. Ya. Lipkovskaya, 7. A. F. Afanasiev, Solokha and the Deacon); Exhibition of works of art in Petrograd in favor of disabled Poles (p., Ill.: 1. G. Max. St. Julia. 2. G. Semiradsky. Bathers. 3. St. Bakalovich. St. Peter blessing Lygia and Vinicius in prison 4. August III (Saxon porcelain of the 18th century) // V. Bondi (ed.), Ogonyok, Issue 11, Pg., S.M. Propper, Type: S.M. Propper, Petrograd, Galernaya st. 13 (March 26), 1916
V. Svarog. German marauders in the spotlight (p.1); I. Myasoedov. ill. to the story of A.A. Izmailov "Alphonse III" (p.,); [N.] Smazhuk. At gunpoint (p.7); Exhibition painting of the Imperial Society of Russian Watercolorists in Petrograd (S.. Ill.: V.B. Beringer. [Rus' has risen?]; I.S. Goryushkin-Sorokopudov. In the monasteries of the distant rear; F.V. Sychkov. In winter in the countryside; A. O. [A. F.] Maksimov, Judgment in the Times of Russkaya Pravda); V. Denis. A.I. Kuprin , cartoon (p. 14); V. Denis. A.A. Izmailov , caricature (p.14) // Ogonyok. Issue 4. Pg., S.M. Propper, January 24 (February 6), 1916
V.S. Svarog. No. 285. Portrait of Yu.I. Repin / Paintings by exhibitors // XLIV Traveling Exhibition of Paintings. Association of Traveling Art Exhibitions. 1916. [Pg. ill. catalog]. Pg. Edition of the Art and Graphic Institution "Union". Petrograd, B. Cossack per., 11. . p.60
Svarog, Vasily Semenovich. (Nevsky 147). No. 445. Portrait // Spring exhibition in the halls of the Imperial Academy of Arts 1916, 2nd edition. [Catalog]. Petrograd. Printing house "Rodnik". Nevsky, 88. 1916. S.25, 38
Art auction at the "Exhibition of Illustrated Editions" organized in favor of the Tatiana Committee. Petrograd.
V. Tikhov. Brittany (No. 4, p.); D. Kardovsky. Ball in Moscow in the twenties (No. 7, p.). Lieutenant General A.A. Mosolov, who is ambassador to the Romanian court (No. 7, p.). Portrait of A.V. Krivoshein (No. 7, p.); O. Della-Vos-Kardovskaya. Portrait of D.N. Kardovsky (No. 7, p.); E.I. Righteous. Lady with a Powder Box (No. 7, p.); P. Neradovsky. Portrait of Countess L.E. Komarovskaya (No. 8, p.); N.K. Roerich. Glow (No. 9, p.). Nikola (No. 22, p.); F. Sychkov. From school (No. 9, p.). Again at home (No. 41 - 43, p.); P. Buchkin. Portrait of the singer of folk songs Mezentsev, awarded for military merit by the soldier Georgy (No. 10, p.). Rally in the kitchen (#16, p.); N. Bazhin. In the porter room for a newspaper (No. 10, p.). Early spring. Plyushkin's Garden (No. 10, p.). Ilya Muromets and the coffin of Svyatogor (p.); V. Mazurovsky. Under the cover of crosses (No. 26, p.); I. Repin. Portrait of the artist V.S. Svarog (No. 27, p.). Futurist poet (No. 39, p.); Ap. Vasnetsov. ill. to his own stories: "The Adversary" (No. 28, p.), "Planida" (No. 29, p.), "Midnight Whirlwind" (No. 30, p.). On holidays in the old days. They came to visit (No. 51 - 52, p.); L. Sologub. Offensive. Fleeing (No. 28, p.); A. Semyonov. Liberty Loan (No. 30, p.); V. Surenyants. Shah listens (#30, p.); I. Izhakevich. Vision of the warrior Pelgusius. Sts. Boris and Gleb appear to the night guard of Alexander Nevsky (No. 30, p.); M. Avilov. Soldiers leave the trenches, betraying their homeland to the enemy (No. 31, p.); I. Kolesnikov. Cows (No. 31, p.). Bazaar (No. 46 - 47, p.); V. Zarubin. After a thunderstorm (No. 31, p.); S. Kolesnikov. Rest (No. 31, p.); N. Dubovskoy. Sunset (No. 39, p.); V. Belyashin. Satan. Song of the Golden Calf (No. 41 - 43, p.); A. Isupov. In the infirmary. An interesting article (No. 41 - 43, p.); S. Vasilkovsky. Spring. Waiting for the ferry. In Galicia. By evening. Temple feast in Eastern Galicia. Bogatyr-stone. Skovorodinsky psalms (No. 44, p.,,,); D. Zhudin. Portrait (No. 46 - 47, p.); N. Feshin. Professor N.I. Kareev, author of The History of the Great French Revolution (No. 48, p.); L. Pasternak. News from home. Before the exam (Luxembourg Museum in Paris). Etude. Portrait of Manfred K.L.N. Tolstoy among the family in Yasnaya Polyana. During the dinner. Self-portrait. Council of Artists at the School of Painting, Sculpture and Architecture in Moscow. At the assembly. (No. 48, p., , , , , , ); S. Lodygin. ill. to the story of V. Koehler "The Servant of the Dragon" (No. 51 - 52, p., ) // Niva. Pg., A.F. Marx, 1917
Svarog, V.S. (Nevsky, 147). No. 455. In the city // Spring exhibition in the halls of the Imperial Academy of Arts in 1917. [Catalog]. Pg. Artistic – Graphic Atelier and Printing House. M. Pivovarsky. Petrograd, Mokhovaya [st.]. . S.25, 38
V. Lebedev. Worker and peasant (Issue 1, p.9). military vessel (Issue 34, p.13); [D.] Shterenberg. At work (Issue 1, p.12); S. Chekhonin. ill. to Lunacharsky's drama "Faust and the City" (Issue 1, p.14). [Portrait of a woman with a child] (Issue 9, p. 8); N. Gadd. Harvest (Issue 2, p.4). K. Boguslavskaya. Washerwomen (Issue 8, p. 11). [P.] Miturich. Drawing (Issue 9, p. 8). [K.] Kirsanov. At the factory (Issue 12, p.9). V. Svarog. Chinese Red Army (Issue 26, p.7). N. Altman. Who was nothing will become everything (Issue 27, p.1). I. Brodsky. "It takes courage, courage, and nothing but courage to defeat your enemies." (Issue 27, p.13). B. Grigoriev. “... To fight - for the sacred right of the people! To fight! Without hesitation, rather, everything is there! .. " (Issue 33, p.1) // A. Lunacharsky (ed.). Flame. Pg.; Petrograd Soviet of Workers' and Red Army Deputies; Printing house of the Petrograd Soviet of Workers and Red Army Deputies. Petrograd, Galernaya, d. No. 40; 1918
Catalog of the XXXVIII exhibition of paintings by the Society of Russian Watercolorists in the halls of the Russian Society for the Encouragement of the Arts (Morskaya, 38). 1918 [g.]. Petrograd. 1918
L. Dietrich. Forgotten (No. 4, p.). Sphinx of the 20th century (No. 32, p.); N. Protopopov. Elegy (No. 4, p.). Etude (No. 7, p.); V. Svarog. Portrait of the artist's mother (No. 6, p.). Portrait of the artist's wife (No. 6, p.). Reddish (No. 14, p.); I. Repin. Portrait of the cartoonist Re-mi (No. 7, p.). Portrait of the artist's brother (No. 29, p.); S. Lodygin. ill. to the story of V. Koehler "Hashish" (No. 8, p.,; No. 9, p.,); S. Svetoslavsky. Cows in spring (No. 11, p.); Albert Benois. Spring. "Tears of Russia" (No. 13, p.). Wintering barges on the Malaya Neva (No. 14, p.); A. Arkhipov. On a spring holiday (No. 13, p.); S. Zhukovsky. Spring. The stream is seething (No. 13, p.). Easter table in an old manor (No. 16, p.). May (No. 19, p.); P. Buchkin. Portrait of the artist V. Kuznetsov (No. 7, p.). Moskvich (No. 14, p.). "Parliament" (No. 14, p.). F. Chaliapin. Portraits (No. 36, p., ,,; No. 37, p., , ,). L.M. Dobronravov (cartoon) (No. 37, p.); S. Vasilkovsky. Holy Thursday (No. 15, p.); V. Shukhaev. Carousel (No. 17, p.). Portrait of E.N. Shukhaeva (No. 17, p.); K. Petrov-Vodkin. Two (No. 17, p.); S. Chekhonin. Sorrow (No. 17, p.); M. Dobuzhinsky. Chernihiv (No. 17, p.). Voronezh (No. 17, p.); B. Grigoriev. Portrait of the artist B.M. Kustodiev (No. 17, p.). Lady (No. 17, p.); A. Ostroumova-Lebedeva. View from my workshop (No. 17, p.); I. Grabovsky. Winter day in Petrograd (No. 22, p.); A. Schilder. On the Black Sea (No. 24, p.); F. Sychkov. Trinity Day in the Village (No. 25, p.); V. Zverev. Portrait of the artist Iv. Kolesnikov (No. 27, p.); I. Kolesnikov. Bazaar (No. 28, p.); K. Gorbatov. Uglich (No. 30, p.). Ancient Pskov (No. 30, p.); G. Vereisky. The first female doctor of history in Russia O.A. Dobiash-Rozhdestvenskaya (No. 30, p.); N. Altman. Poetess Anna Akhmatova (No. 31, p.); M. Bobyshev. Pierrot (No. 32, p.). Laundry bridge in Petrograd (No. 32, p.). Portrait of the artist E.A. Orlova (No. 32, p.); A. Rylov. Swans (No. 35, p.); I.I. Brodsky. Portrait of V.G. Korolenko (No. 37, p.); Ap. Vasnetsov. “There is a green oak near the seashore ...” (No. 37, p.); K. Somov. Gallant conversation (No. 39, p.) // Niva. Pg., A.F. Marx, 1918
Catalog of the first state free exhibition of works of art. Petersburg. Palace of Arts (former Winter Palace). 1919. [Pg.] 1919
Svarog, V.S. №№ 644 - 650 // Catalog of the exhibition of paintings by Petrograd artists of all directions. 1918 - 1923. [Pg.] Petrogubsorabis. Section IZO. Type. At. V.P. them. T.I.R.V.C. . p.17
Svarog, V.S. (Leningrad, Kuindzhi Island). No. 399. A country with a great future // Catalog of the VI exhibition of paintings "Revolution, Life and Labor". Moscow. Association of Artists of Revolutionary Russia at the Russian Academy of Arts. Sciences. Russian Historical. Museum. 1924. P.24. (... ideological justification ... in art, we consider it a sign of the truth of a work of art ... Declaration of the AHRR. C.3).
Y. Gorenko. Theater and art. "Products of pre-revolutionary quality." (At the spring art exhibition) // Red Newspaper. Issue. 108(1853). L., Leningrad Council of Workers., Cross. and Krasnoarm. MP; Type. them. Volodarsky. Fontanka, 57; 100,000 copies, 5 copies, May 14, 1924, p.8
Mikhail Andreev. Anika is a warrior. [Fairy tale in verse]. Drawings by V. Svarog. [L.-M.], Rainbow; [L.], Lithography Gosud. Art.-Industrial. College, Tel. 169-77; 10,000 copies, 85 copies, 1925
P. Arsky and Al. Dmitriev (ed.), V.M. Anderson (foreword). Volodarsky. (Materials for biography and characteristics). L., Gubkomkom at the Leningrad Provincial Executive Committee, Leaders and figures of the revolution (series), 1925 (Region: P. Buchkin, Fig. in the text: V. Svarog)
The Eighth Exhibition of Paintings and Sculptures of the AHRR “Life and Life of the Peoples of the USSR”: Directory-catalog / comp.: A.M. Skvortsov; Alphabetical index of exhibitors with biographical data of the AHRR main group (pp. 72–85). – M. : AHRR; 1st Model type. State Publishing House (Pyatnitskaya, 71), 1926. - Ed.2.– 500 copies - Region ., titus .
The Eighth Exhibition of Paintings and Sculptures of the AHRR "Life and Life of the Peoples of the USSR": Directory-catalog with illustrations / A.V. Lunacharsky. VIII AHRR exhibition (pp. 9–21); Alphabetical index of exhibitors with biographical data of the AHRR main group (pp. 109–121). - L .: AHRR; Type. Academy of Arts (V.O., Tuchkov per., 1), 1926. - 3,100 copies - Region .: S. Pavlov; titus .
V.S. Svarog. (St. Rogov, 4/5). No. 342. Portrait of L.S.V. No. 343. Portrait of E.A.B. No. 344. In the evening. No. 345. Interieur // Catalog of the exhibition of paintings of the Society named after A.I. Kuindzhi in the halls of the Society for the Encouragement of the Arts. Leningrad. Printing house of the Academy of Arts. Leningrad. IN. Tuchkov per., 1. 1927. P.19
Svarog, V.S. (Leningrad, Rakova St., 4-5). No. 55. The attack on Kronstadt by English high-speed motor boats on the night of August 17-18, 1919 (... The attack was carried out simultaneously with the raid<…>seaplanes ... P.57) //The tenth exhibition of the AHRR with the participation of artists of associations, dedicated to the tenth anniversary of the Workers 'and Peasants' Red Army:. – M. : AHRR; 7th printing house "Spark of Revolution" Mospoligraf (Arbat, Filippovsk., 13), 1928, S.57, 135, 180 (ill) . - Index of illustrations (pp. 239-243); 4,200 copies - Region ., titus . - ... At the end of 1926, a special commission was formed<…>funds were released, art materials were issued from abroad… С.34.
In. Gryaznov. Callus seekers. The Tale of the Affairs and Adventures of the Krasnoborsk Children. Drawings [and cover] by V. Svarog. L., Red Newspaper; Printing house "Red Newspaper" them. Volodarsky, Leningrad, Fontanka, 57; 10,000 copies, 1 rub. 50 kopecks, 1928
Catalog of the exhibition of paintings of the Society. A.I. Kuindzhi in the halls of the Academy of Arts. Leningrad. 1928
Svarog, V.S. Robinson ("Dowry"); Disregard for the poor ("Thunderstorm"); Landlord servants from serfs ("Wolves and sheep") // Yu.M. Yuriev, S.A. Ostrovsky (son of the writer), G.T. Sinyukhaev. (Editorial team). Old way of life in the works of A.N. Ostrovsky. [Album of pictures]. Leningrad. Publication of the All-Russian Literary, Drama and Musical Society named after A.N. Ostrovsky. Leningrad department. Printing house "Goznak", Moscow and type. them. Evgenia Sokolova, Leningrad, pr. Kr. Komandirov, 29. 1929. (... The whole album depicts life under tsarism ... [С.5])
Svarog, Vasily Semyonovich. Nos. 207 - 214. [incl. No. 207. Portrait of the poet V.V. Voinov. No. 208. Portrait of the guitarist A. Segovia. No. 209. Portrait of the artist F. Scholte.] // Catalog of the exhibition of paintings by the watercolor section of the Society for the Encouragement of the Arts. Leningrad. 1929. P.12
V.S. Svarog. No. 111. The murder of a political exile by a convoy // Catalog of artistic open letters. - M .: Museum of the Revolution S.S.S.R. (Moscow, Tverskaya, 59) ; "Mospoligraf", 13 tipo-zinc. (Petrovka, 17), 1930, p.6. - 8,000 copies. - Region .
Vasily Semyonovich Svarog (born in 1883). No. 242. Grain farm "Giant". B. aq. No. 243. Combines. 1930. H. 93x150. No. 244. 1905 Black Hundred. 1930 H. 40x61. No. 245. 1st Horse. 1930 H. 94x181. No. 246. City. 1930 H. 62x100. No. 247. Portrait study. 1930 56x106. No. 248. Workshop. Plywood. 51x61 (oval). No. 249. Burning by interventionists of partisan Sergei Lazo in the furnace of a locomotive, April 4, 1920 in Vladivostok. 1930 H. 62x100. No. 250. Barricades. B. // Catalog of the 1st exhibition of the Union of Soviet Artists, from April 15, 1931. The fourth exhibition of [ALL ARTIST]. M. All-Russian cooperative partnership "Artist". Moscow. Kuznetsky Most, 11. Type. Publishing House of the All-Union Central Council of Trade Unions. Moscow, Krutitsky Val, 18. . P.63 - 64
Svarog, V.S. Painting and graphics: No. 122. Night puff. H. 71x108. Poster: No. 11. Comrade, prepare like a Bolshevik for shock sowing / / Catalog of the traveling exhibition: Painting, drawing, graphics, poster, textiles: Sverdlovsk, Magnitogorsk, Omsk, Novosibirsk, Kuzbass, Semipalatinsk, Alma-Ata, Tashkent, Samarkand, Rostov-on-Don, Krasnodar, Grozny, Novorossiysk, Gigant State Farm , Minsk, Smolensk / vst. Art.: N. Maslenikov. The third mobile (S. 3-12). - [M.]: V.K.T-vo "Artist" (Moscow, Kuznetsky most, 11); Type. gas. "Pravda" (Moscow, Tverskaya, 48), 1931, pp. 26, 30. - Overhead: Sector of the Arts of the People's Commissariat for Education of the RSFSR and the All-Russian Cooperative Society "Artist"; 6,000 copies, 50 kop. - Region ., titus .
Svarog, Vasily Semyonovich. (Moscow, Myasnitskaya, 21, apt. 34.). No. 1939. Black Hundred. 1930. - oil on canvas Muses. Rev. No. 1940. Portrait of Kuibyshev. 1932. - oil on canvas // Artists of the RSFSR for 15 years: Catalog of the anniversary exhibition: Painting, graphics and sculpture: / vst. articles: M.P. Arkadiev, Igor Grabar, N. Punin. - L .: State. Russian Museum; Type. them. Volodarsky (Leningrad, Fontanka, 57), 1932, p.85. - 10,000 copies. - Region ., titus .
Svarog, V.S. No. 409. Fighters (Group portrait of Kalmyks- heroes of the civil war). No. 410. M. Gorky and K. Voroshilov in the shooting gallery of the CDKA. No. 411. The death of Comrade Kalandarashvili in Yakutia// Art exhibition of the XV years of the Red Army: Painting, sculpture, graphics: [Catalogue; 517 No.]. – L. : LOSSHIZO; 21 types. OGIZ RSFSR them. Iv. Fedorova (Leningrad, Zvenigorodskaya, 11), 1933, S. 50 . - In the region: Russian Museum. 1933–1934; Exhibition stamp (on the cover) slave. B.V. Shuko; Chairman of the presentation: A.I. Ugarov; Architect.-Dec. exhibition design: E.I. Krshizhanovsky, V.N. Taleporovsky, B.V. Shuko; 2,000 copies - Region ., titus .; poster .
V. Svarog. No. 496. The death of Comrade Kalandarishvili in Yakutia. (Death of Kalandarashvili. Yakutia, 1920) ([S.320] ill.). No. 497. Fighters. (Group portrait of Kalmyks [–] heroes of the civil war). No. 498. M. Gorky and K. Voroshilov in the shooting gallery of the CDKA // Art exhibition "15 years of the Red Army": Painting, graphics, sculpture, textiles, decorative art, art of Palekh and Mstera: [Vol. 1: Catalogue; 674 No.] / editorial board: Trofimov V.K., Enchelik I.I., Slavinsky Yu.M., Perelman V.N., Ryazhsky G.G.; Art.: Art exhibition "15 years of the Red Army" (S.XIX–XXIX). - M .: Vsekohudozhnik; Type. gas. Pravda (Moscow, Gorky St., 48), 1933, p.208. - Above: Exhibition Committee of the Revolutionary Military Council of the USSR; On the countertitle: Catalogs of art exhibitions. Issue 35. All-Russian Cooperative Union of Fine Arts Workers; 4,000 copies, 7 rubles. - Region ., back : A.D. Goncharov; countertitle-tit .
V.S. Svarog. No. 48. Kalyaev throws a bomb at the velo carriage. Prince Sergei Romanov in Moscow in 1905 No. 111. Murder of a politically exiled convoy // Catalog of art open letters and art publications. M. Museum of the Revolution of the USSR. Moscow, st. Gorky, 59. 13 type-zincography of Mosoblpolygraph, Petrovka, 17. 1933. S.6, 7. of all political education organizations, both in the city and in the countryside, is the distribution among the broad workers and working masses of our illustrative publications ... C.2)
Hood. V.S. Svarog. No. 18. Military stable. [... Osoaviakhim members are actively fighting for the combat "Horse for the Red Army" ...] // Defense exhibition of Osoaviakhim dedicated to the XV anniversary of the Red Army. Catalog of the exhibition of painting, graphics and sculpture. Moscow. Central Council of Osoaviakhim. Type. International Agrarian Institute. 1933. P.14
V.S. Svarog. "M. Gorky and K.E. Voroshilov in the shooting range of the CDKA” [ill. in the album] // V.K. Trofimov (ed. inst. Art.). Art exhibition - XV years of the Red Army. [Album]. Moscow. OGIZ. ISOGIS. Type. Gudok, Moscow, st. Stankevich, 7. 1934. (The greatest victory was achieved on the isofront: the “Art Exhibition - 15 Years of the Red Army” was organized [... The exhibition] marks the coming period of prosperity, greatness, the triumph of socialist culture, [... for which] boundless expanses were created for workers of art... At a time when […] bourgeois ideologists roam like shadows, entangled in contradictions, we […] create the greatest works of art... under the direct guidance of the leader of the Red Army, a friend of artists K. E. Voroshilov.... In .Trofimov, head of the Central Museum of the Red Army. Art - for the defense of the USSR). (Submitted for production 8/XI-33 Signed for publication 10/XI-33)
Svarog V.S. Tov. Voroshilov brought weapons to the workers from Finland to Lugansk; October Headquarters (meeting of the military revolutionary center - comrades Stalin, Sverdlov, Dzerzhinsky, Bubnov, Uritsky); Fighters (group portrait of Kalmyks - heroes of the civil war); The death of Comrade Kalandarishvili in Yakutia; The feat of the Kalmyk Norma Shapshukova in the battle with the whites; State farm "Giant"; Tt. Voroshilov and Griky in the shooting gallery of the CDKA; Schmidt O.Yu. - Head of the expedition on the Chelyuskin; Bobrov A.P. - pom. head of the expedition on the Chelyuskin; Meeting of the heroes of the Arctic and the Soviet Union in Moscow; Kuibyshev V.V. // Red Army in the fine arts. Exhibitions of art reproductions. [Avenue]. Leningrad. Moscow and Leningrad Unions of Soviet Artists. . pp. 34, 38, 46, 53, 57, 69, 75, 89, 90. ([In order to]… actively serve the viewer… 270 [reproductions] paintings… of a traveling large-circulation exhibition… completely replace the originals…. pp. 93, 94 , 95)
Svarog, Vasily Semyonovich, b. 1883 - Moscow. No. 775. Drawings from the series "Decembrists" (MR). No. 776. Drawings from the series "1905" (MR) / Catalog of the exhibition. Graphics // Bubnov A.S. (Chairman of the Government Commission of the exhibition, inst. Art.). (Jury members: L.A. Bruni, E.A. Katsman, V.V. Lebedev, D.I. Mitrokhin, I.I. Nivinsky, A.D. Chegodaev, A.M. Efros and others). Artists of the RSFSR for the XV years (1917 - 1933). Painting. Sculpture. Poster. Caricature. Graphic arts. Moscow. All-artist. 1934. P.60. (... The “movement towards socialism” in the field of art is uneven ... The exhibition ... testifies to the turn towards the positions of the working class on the part of the vast majority of artists ... A huge impetus for this is the historic decision of the Central Committee of the Party on April 23, 1932 ... Soviet artists firmly take up the service of the most important tasks deployed socialist offensive ... S.6, 7, 8)
Svarog. "Turksib" / Participants of the 1st cruise and the works presented by them // A. Khalatov, Vikt. Perelman (authors of insert articles). Transport artists. (Collection of articles on the 1st and 2nd voyages). Moscow. NKPS. All-artist. 1934. P.15. (About a year ago, the NKPS, supported by Gudkom and the Moscow Union of Artists, laid the foundation for attracting artists to work […] on transport themes. […] The socialist reconstruction of railway transport, traction and wagon economy, is insufficiently reflected the topics of railway personnel are reflected - study, circles, etc. ... С.3, 4)
Svarog, V.S. No. 323. Fighters (group portrait of Kalmyks- heroes of the civil war). No. 324. K.E. Voroshilov and A.M. Gorky in the shooting gallery of the CDKA. No. 325. The death of Comrade Kalandarashvili in Yakutia// Art exhibition: 15 years of the Red Army: Painting, sculpture, graphics: [Catalog; 421 №№] / holes. editor: E.A. Zvinogrodskaya. - Kharkov: House of the Red Army. K.E. Voroshilov; Laboratory. UNPK (Kharkov, May 1st, No. 19), 1935, p.26. - 2,000 copies. - Region .: A.D. Goncharov; titus .
S. Mogilevskaya. Ice camp. [About Chelyuskinites for children. M.], Detizdat, Exemplary type. and the book factory of the Children's Literature Publishing House of the Central Committee of the Komsomol, 25,000 copies, 3 rubles. 60 k., 1935 (Portraits: Svarog and Katsman)
[List of participants, works (p., , )] // Soviet Arctic and Soviet North in art. M., MSSH; Type. Central Organ of the NGO of the USSR "Red Star". M. Dmitrovka, 16; 1,000 copies, 2 r. 50 k., 1935 ( Region ., titus .; Illustr.: M.M. Bering. Beginning of the Kola Bay ; N.S. Bom-Grigoriev. Khibiny experimental field . Hanger for drying nets ; N.M. Grigoriev. at the helm ; F.P. Reshetnikov. Meeting on the ice ; A.A. Rybnikov. Tiksi Bay in a snowstorm )
Exhibition of works by Moscow artists: [In favor of the Foundation for Public Assistance to Children and Women of Heroic Spain: Booklet]. - M .: Orgburo of the wives of artists and sculptors: Moscow Regional Union of Soviet Artists: All-Russian Cooperative Union of Fine Arts Workers; Type.« Moskomprompechat» ( Rozhdestvensky boulevard, 22), 1936. - 1,500 copies. – Region .
V. Svarog. Sergo Ordzhonikidze near Lenin in Razliv in 1917 (Fig., p.2) // N. Vengrov (editor-in-chief), A. Barto, S. Marshak, L. Kassil, V. Smirnova, A. Stepanova, N. Shifrin (ed.). Murzilka. Issue 4. M.; Children's publishing house of the Komsomol Central Committee. Moscow. M. Cherkassky, 1. Tel. 1-5-42; type. "Beep". Moscow, st. Stankevich, 7; 200,000 copies, 1937 (Province: R. Barto. Comrade Ordzhonikidze with the guys )
V. Svarog. Maxim Gorky and Klim Voroshilov in the shooting range of the Central House of the Red Army // L. Kassil (responsible ed.), A. Barto, S. Marshak, L. Kassil, V. Smirnova, A. Stepanova, N. Shifrin (ed.). Murzilka. Issue 6. M.; Children's publishing house of the Komsomol Central Committee. Moscow. M. Cherkassky, 1. Tel. 1-5-42; type. "Beep". Moscow, st. Stankevich, 7; 200,000 copies, 50 copies, 1937, p.10 ( Region .: E. Afanaseva)
L.V. Rosenthal (comp.). The first exhibition of watercolor painting by Moscow artists [in the All-Artist's Hall. Kuznetsky most, 11]. Catalog. M.-L., Art, All-Union Committee for the Arts; Type-lithography them. Vorovskogo, st. Dzerzhinsky, 18; 1,200 copies, 1 ruble, 1937 ( Region .)
V.S. Svarog. “K.E. Voroshilov and A.M. Gorky in the shooting gallery of the CDKA. Oil, 1933 [Ill. in edition] // A. Tikhomirov. The Red Army and the Navy in Soviet painting. M.-L. Art. Type. Publishing House "Art" "Red Printer", Moscow, st. October 25, d. 5. 1938. (... Heroism and Stalin's vigilance make our army invincible... The Decree of the Central Committee of the All-Union Communist Party of Bolsheviks on perestroika […] dated April 23, 1932... created a single channel […] for the formation of the style of socialist realism. [ …] After the decision […] it became clear that the division of artists into dozens […groups…] was an obstacle […] It became clear that a healthy asset of Soviet artists was already united… P.3, 10)
V. Kostin (inst. Art.). All-Union exhibition of young artists [dedicated to the twentieth anniversary of the Komsomol]. Exhibition catalogue. M., Committee for Arts under the Council of People's Commissars of the USSR, State Tretyakov Gallery, 1939 [Galushkina, 1965, p.279]
E. Melikadze, P. Sysoev. Soviet painting. [Short biographies of artists and reproductions of paintings. M.], Art; 21st type. OGIZ of the trust "Polygraphkniga" them. Iv. Fedorov. Leningrad, Zvenigorodskaya, 11; 5,000 copies, 30 rubles in the lane, 1939 ( Region ., titus .: Ill.: M.I. Avilov. The capture of a saboteur . 1938; S.Ya. Adlivankin. Dance in the steppe . 1934; F.V. Antonov. Recreation of collective farm youth . 1935; K.F. Bogaevsky. Dneprostroy. 1930; Crimean coast. 1935 ; F.S. Bogorodsky. Found a friend . 1932 - 1933; I.I. Brodsky. Portrait of I.V. Stalin . 1932; A.P. Bubnov. Whites in the city . 1934; P.V. Williams. Portrait of People's Artist L.M. Leonidov . 1933; T.G. Gaponenko. Tatar courtyard. Bakhchisaray. 1928; K.F. Yuon. parachutist . 1936; B.N. Yakovlev. Alloy . 1937; V.N. Yakovlev. Bathing of the Red Navy . 1938; O.D. Yanovskaya. Box of drummers at the Bolshoi Theater . 1937; content )
Tikhomirov A.N. Red Army in the fine arts. Moscow - Leningrad. Art. 1939
Hood. Svarog. No. 607. Meeting V.I. Lenin and I.V. Stalin after the illegal return of V.I. Lenin in Ptrograd in early October. No. 365. Nikolai Shchors in battle. No. 565. People's Commissar of Defense of the USSR - Marshal of the Soviet Union K.E. Voroshilov. No. 577. Report by I.V. Stalin at the Extraordinary VIII Congress of Soviets on the Draft Constitution of the USSR // Catalog of photo reproductions from historical paintings. Historical photo library of the institute. M. Narkompros of the RSFSR. Research Institute of Local Lore and Museum Work. Moscow, ug. Pskovskogo and Yeletsky per., d. No. 4/12. Tipo-lit. Centrosoyuz. 1939. P. 34, 38, 54, 55. (... [The methodological office of the institute collected] 650 negatives from the best paintings and sculptures of historical content [... for mailing] prints [...] on a white or gray passe-partout, or without [it ]…C.3.)
Svarog V.S. K.E. Voroshilov on vacation in Sochi. 1935, oil on canvas // I.F. Titov (ed.). Soviet artists on the day of the sixtieth birthday of K.E. Voroshilov. Exhibition of painting, graphics and sculpture. February 4, 1941 [Catalogue. M.], Organizing Committee of the Union of Soviet Artists of the USSR; Type. "Red Printer" State. publishing house "Art". Moscow, st. October 25, 5; circulation 400 copies, p.24 (... This exhibition is a modest tribute of love, devotion and gratitude to K.E. Voroshilov - a sensitive comrade of artists, a friend of Soviet realistic art ... p.8)
M. Sokolnikov (foreword), E.A. Vishnyak, E.P. Makarova (compilers). Vasily Semyonovich Svarog. 1883 - 1946. Exhibition catalogue. M. Soviet artist. Main Directorate of Fine Arts Institutions of the Committee for Arts under the Council of Ministers of the USSR, Organizing Committee of the Union of Soviet Artists of the USSR, etc. 1948
Sysoev P.M., Shkvarikov V.A. (compilers). Masters of Soviet fine arts. Works and autobiographical essays. Moscow. Art. 1951. P. 495 - 502
Vl. Zeidan (comp.). Catalog of the exhibition of works by Vasily Svarog (1883 - 1946). Riga, State Museum of Latvian and Russian Art, Department of Arts under the Council of Ministers of the Latvian SSR, Organizing Committee of the Union of Soviet Artists of the USSR, printing house "Soviet Latvia", 1952 (Vaslija Svaroga. Darbu izstādes. Katalogs. Riga, Valsts Latviešu un krievu mākslas muzejs, tipografija "Sovetskaja Latvija", 1952)
Klimova M. Vasily Semyonovich Svarog. 1883 - 1946. M. Art. Mass Library. 1952
Igor Grabar (ed. inst. Art.), Yu.B. Vasiliev (art books), I.N. Matveeva (editor). V.S. Svarog. Moscow. Soviet artist. 1955
Sokolova N.I. (ed.), Sopotsinsky O.I., Tolstoy V.P., Kolpinsky Yu.D., Chegodaev A.D. (authors). Soviet art 1917 - 1957. Painting. Sculpture. Graphic arts. [Anniversary album]. M. Art. 1957
A. Borodulya. Artist of sparkling talent [Svarog V.S.] // Novgorod. Issue 7. [Novgorod]. 1958. S. 120 (121) - 125
Galushkina A.S., Korovkevich S.V., Smirnov I.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1917 - 1932 Directory. T.1. Moscow. Soviet artist. 1965
A.S. Galushkina, E.A. Speranskaya (scientific ed.), L.V. Andreeva, E.A. Speranskaya, I.M. Bibikova, A.I. Bolotova, O.I. Gaponova, Yu.M. Zabrodina, O.P. Lazareva, Kh.M. Reichenstein, I.T. Rostovtseva (author-comp.). Agitation-mass art of the first years of the October Revolution. Exhibition catalogue. M., Soviet artist, Union of Artists of the USSR, State Tretyakov Gallery, State Russian Museum, Museum of the Great October Socialist Revolution, Institute of Arts of the USSR Ministry of Culture, 5,000 copies, 89 k., 1967
Galushkina A.S., Smirnov I.A., Speranskaya E.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1933 - 1940 Directory. T.2. Moscow. Soviet artist. 1967
Galushkina A.S., Smirnov I.A. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1941 - 1947 Directory. T.3. Moscow. Soviet artist. 1973
Svarog V.S. No. 458. A group of soldiers of the 10th Little Russian Regiment in a bayonet battle near Novo-Alexandria on October 11, 1914 (1916). No. 478. The gun of the 29th artillery brigade is firing direct fire near the village of Gross-Iodub. October 23, 1914 (1914) No. 620. Soldiers of the 14th Siberian Rifle Regiment attack the Austrians near the village of Podolia across the Orzhets River on February 11, 1915 (1915). No. 738. Soldiers of the 22nd Siberian Rifle Regiment launch a bayonet attack on the German trenches. May 1915 (1916). No. 876. A group of lancers of the 1st Lancers of the Petrograd Regiment put the enemy to flight and capture the documents left by him. September 1915 (1916) // Abolskaya T.I. (ed. inst. Art., compiler), Sotnikov A.A. (Colonel, general editor). Catalog of drawings of the [Leningrad] Military Historical Museum of Artillery, Engineering Troops and Signal Corps. Book II. L. 1973. S.232, 237, 274, 306, 343, 746
Bolotova A.I., Galushkina A.S., Zakharova D.V. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1948 - 1953 Directory. T.4. Moscow. Soviet artist. 1975
Manin V.S., Antonova K.F., Atsarkina E.N., Volodarsky V.M., Goldstein S.N., Nemirovskaya M.A., Rostovtseva I.T. (editors), Hoffman I.M. (author of the inserted article). Self-portrait in Russian and Soviet art. Exhibition catalogue. Moscow. Soviet artist. 1977
Bolotova A.I., Galushkina A.S., Rostovtseva I.T., Savelova E.V. (scientific ed.), etc. Exhibitions of Soviet fine arts. 1954 - 1958 Directory. T.5. Moscow. Soviet artist. 1981
M. Feldman. Friendship fortified by creativity. [Memories of friendship V.S. Svarog and V.V. Kuibyshev] // Art. Issue 6. Moscow. 1982. P.45 - 48
Svarog, Vasily Semyonovich. K.E. Voroshilov and A.M. Gorky in the dash // Drawing and watercolor // A.D. Fatyanov (comp.). Irkutsk Regional Art Museum. Soviet art. Painting, sculpture, drawing and watercolor. Catalog. Irkutsk. 1982. p.264 11.: G. Orlova. Tapestry "Salute" (1985))
Severyukhin D.Ya., Leykind O.L. (compilers). The golden age of art associations in Russia and the USSR. Directory. Saint Petersburg. Chernyshev Publishing House. 1992
Hubertus Gassner. [Album catalog]. Düsseldorf – Bremen, Interartex – Edition Temmen, 1994
Barenbaum I.E. (ed. insert article), Soskin L.M. Publishing stamps of Petrograd-Leningrad. Moscow. New World, Book. 1995
Svarog (Korochkin) V.S. // E.K. Resina (scientific ed.), R.G. Badin, T.I. Karandasheva, T.A. Reznik, E.K. Resina (comp.). Russian pre-revolutionary and Soviet painting in the collection of the National Art Museum of the Republic of Belarus. Catalog. In 2 volumes. Vol. 2: K - Ya. Minsk, Belarus Publishing House, shooting range. 1,000 copies, 1997, pp. 260 - 261
Matthew Cullerne Bown. A Dictionary of Twentieth Century Russian And Soviet Painters. 1900 - 1980s. Isomar Limited. London. 1998
Romanov G.B. Association of Traveling Art Exhibitions. 1871 - 1923 Encyclopedia. Saint Petersburg. St. Petersburg Orchestra. 2003
Vern G. Swanson. Soviet Impressionist Painting. Woodbridge (Suffolk, England), Antique collectors' club, 2nd ed., 2008
Rubinchik A.L. Painting of socialist realism in Soviet postcards. Album catalog. Moscow. Magma. 2008
Gogolitsin Y. (author of the inserted article), Berezovskaya K. (compiler). A city familiar to tears ... City landscape from private collections (Vasilyeva A.A., Kantina B.E., Shabtai von Kalmanovich, Magitson V.A., Rybakova Zh.B., Paleevs, Rusakovs, Chudnovskys, etc.). Catalog. Saint Petersburg. K gallery. 2009
V.S. Svarog (Korochkin). Painter, graphic artist // V. Lenyashin (scientific editor of the volume). Painting. First half of the XX century. Catalog. T.13. From - Ya. [St. Petersburg], Palace Edition, Russian Museum, Almanac (Issue 463), , pp. 27 - 28 ( Region ., titus .)
